This energetic class will help you develop a greater sense of self-awareness, strength, balance and flexibility and ultimately provide you with a direct experience of prana - or life energy. The opportunity wasn’t fully embraced during PyeongChang, but there’s potential there and you can see it in the below video.Our studio’s signature yoga style, Zia Flow is a breath-inspired, vinyasa-style practice filled with the rhythmic movement and reflective meditation of ancient yoga practices. If it creates a space for tennis explainers, why not fill out those spots? Or offer additional reach to rights holder partners in them? It could even replicate real-world courts if it wants. That could be from the bold Times Square suggestion to filling out inventory around its virtual explainers. Its 3D environments offer non-interruptive ways to implement ads. It’s so easy to throw in anything commercial.” We were playing with an idea where we’ve got Times Square in the background and changing the LED panels to an advert. “I tell a lot of people it’s a 3D world and if you want to put a brand in there where the US Open logo is, we can put a brand’s logo in there. And it appears that inventory options here are almost endless. Where there’s innovation, interest and attention, there’s a space for a brand. The chat concluded with a fun, if not-quite-perfect, high five.Įurosport today launched the new Cube for our coverage of the US Open and we were thrilled to welcome number one seed as our first-ever guest in the mixed-reality studio with after her first round win. The holographic feature’s debut, in an interview between presenter Barbara Schett-Eagle and US Open number one women’s singles seed Karolina Pliskova, received almost 1.5m views on Twitter. “We’re having live interviews with players, we’ve got this lovely screen behind our presenter that shows all the action going on and some really engaging features.” We’ll be using it for Roland-Garros, for example.” We can expect to see different versions of the space for snooker, motorsports, winter sports and more going forward.īut what is all of this in aid of? Well, Eurosport believes it is bringing fans closer to the experience. “We were holding the Cube back for Tokyo, but now with all the Covid-19 restrictions it seems the perfect time to introduce it to other events.
The delayed pan-European coverage of the Tokyo 2020 Games will benefit from this at least. Most noticeably, one (physical) wall of the studio has been removed to allow for fuller pans in the virtual plane. Since PyeongChang, incremental improvements have been made to the Cube.
#Virtual studio set 7 day cracked#
Eurosport likes to think it has cracked that problem now. The only real problem was the latency.” A huge amount of real-time data needs to be streamed to create a convincing space.
“While it looks really, really cool, it’s probably one of the easiest challenges we had to overcome. The USTA in New York sent the broadcaster a green screen feed of the arena. As Eurosport wasn’t allowed to travel to New York, we needed to look at a way we could bring our fans closer together and closer to the action, and the Cube was the perfect tool for this.”Īnd it wasn’t just the athletes who joined the broadcast. “As sport began to return, the US Open was one of our pillar events scheduled to start again with no fans – and, more importantly, with only one host broadcaster. It shows no hint of the box space the presenter actually inhabits. An agency called Dimensions helped Eurosport design a set that can be adapted and deployed across its whole slew of sports coverage.
#Virtual studio set 7 day software#
While the Cube is a physical space, the set is virtual, designed using Unreal Engine, the same graphics software that powers the world’s top video games. Instead, sporting talent and even sports stadia have been beamed to it in holographic fashion using mixed or extended reality tech.Īlex Dinnin, the head of graphics and innovation at Eurosport, says: “We never ever want to take away from the live experience and being on-site is the best we can offer the viewer, but while sport with crowds is temporarily on hold and it’s not safe to be at an event, we are using AR to bring players into our studio.” Originally launched to deliver interactive visuals and helpful explainers on-site at the 2018 PyeongChang Winter Olympics, Eurosport’s virtual studio space the ’Cube’ has been static during the pandemic.
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